Written by from NPR
J.K. Simmons has a long history in everything from Guys And Dolls on Broadway to Law And Order to Juno, but you may never have seen him do quite what he does in the new film Whiplash. He plays a teacher in an elite conservatory in New York who leads the highest-level jazz ensemble, using a combination of verbal abuse, athletic drills and impossible demands. The film follows one promising student (Miles Teller) and considers the matter of whether Fletcher is an ultimately worth-it educator or a flat-out immoral sadist who should be allowed nowhere near students of anything.
As Simmons tells Audie Cornish on Tuesday’s All Things Considered during a lively conversation about music, greatness and film, director Damien Chazelle invites the kind of debate that the film naturally provokes about whether the ends justify the means when it comes to trying to be great, or whether the abandonment of all human decency may be too high a price even for jazz.
But at least for Simmons, if not for Fletcher’s student, there was an upside: “It was 100 percent cathartic,” he says, “and, you know, occasionally painful. Screaming is hard after a while.”