Facing no interest from record labels, jazz bassist Mimi Jones made two albums under her own imprint. Along the way, she signed two “amazing, bad-ass” musicians — who also happen to be black female instrumentalists.
Sixty years ago, a jazz pianist found himself in much the same bittersweet position as a rapper did on Sunday night. Surely proud of their hard work, they also sensed that their privilege as white musicians had something to do with their new success.
Many Shanghai jazz standards of the 1930s and ’40s were banned in China after the Chinese Communist Party took over. But they reemerged decades later through cover versions. Now, the songs are back again in a new cover album by a Chinese-American electronic artist and a jazz singer from Shanghai.