Sixty years ago, a jazz pianist found himself in much the same bittersweet position as a rapper did on Sunday night. Surely proud of their hard work, they also sensed that their privilege as white musicians had something to do with their new success.
Many Shanghai jazz standards of the 1930s and ’40s were banned in China after the Chinese Communist Party took over. But they reemerged decades later through cover versions. Now, the songs are back again in a new cover album by a Chinese-American electronic artist and a jazz singer from Shanghai.
When he was studying jazz in the ’50s and becoming a revered guitarist, Kenny Burrell vowed to teach the subject one day. Now, decades after his first class, he’s never committed more to music education.
Inspired by A.A. Milne’s 1924 book of poetry, When We Were Very Young, Cornelius presents a composition commissioned by Chamber Music America. It features Bill Evans-like voicings and Ellingtonian ideas.