A 24-year-old with a taste for finely aged songs, the vocalist was one of the breakout jazz stars of 2013. Accompanied by pianist Aaron Diehl’s trio, she performs at the Kennedy Center’s Mary Lou Williams Festival.
The Cuban-born reedman has made a career out of crossing genres. So Chicago’s Latino Music Festival invited him to perform with a jazz rhythm section and a string quartet — and the Festival’s own director gets into the act.
The vocal gymnast comes from a musical family — his father was the first African American man to sing at the Metropolitan opera, and an important interpreter of spirituals. He sings his own takes on spirituals and then some — with his daughter.
Every month, the Colorado-born sextet of over 20 years gathers from far and wide at the Denver club Dazzle. This particular month, Convergence welcomed a special guest on the Hammond B-3 organ from Los Angeles.
Celebrated jazz pianist Marcus Roberts is releasing three albums simultaneously. One is a 12-movement suite titled From Rags to Rhythm. The other two are collaborations with the now-famous trumpeter who helped launch his career.
Assisted by members of the Jazz at Lincoln Center Orchestra and Vince Giordano’s Nighthawks, the trumpeter and bandleader offers a celebratory double helping of the early pioneers — and adds an “Auld Lang Syne” for good measure.
The late jazz multi-instrumentalist, a bluesy experimentalist, was known for his soulful, internationally flavored music. He died Monday at 93. For one struggling photographer, he was also close counsel for more than a decade.
The hot and historic band from New Orleans brings us a tuba-wielding Santa and some original holiday cheer and praise — what its members call a Cajun Christmas from the French Quarter. The goal here is simple: to bring you joy.
The Big Phat Band makes its Monterey Jazz Festival debut with “Rhapsody in Blue” and “Hunting Wabbits,” inspired by Carl Stalling’s 1940s scores for Warner Brothers cartoons. The music tumbles all over itself.