When their busy schedules align, the three jazz sidemen come together as a trio. Their format isn’t earth-shatteringly new — it’s built on classic sonorities in which Hammond B3 organ meets electric guitar — but after nearly 25 years as a band, their rapport is. Watch a live concert.
He had gigs before and enjoyed prominent freelance work afterward. But the mellow saxophone and flute player’s career was kickstarted by spending more than a decade in the front row of Count Basie’s “New Testament” band.
In Nicole Mitchell’s words, “The flute and vibes coming together gives us the visual for Ice Crystal.” Hear the adventurous musician and composer play the Mary Lou Williams Women in Jazz Festival with her quartet.
The pianist loves water and music. Inspired by a trip along the Pacific Northwest, The Coastal Suite spins out as one uninterrupted arc. JazzSet captures the broadcast premiere at the Ibeam in New York.
The trumpeter and bandleader premiered his gospel-jazz Abyssinian Mass back in 2008. But now, accompanied by a 70-voice choir, he’s taking the sprawling work on the road and into African-American churches — whose services were the inspiration for the piece.
The jazz legend practiced his saxophone 10 to 15 hours a day before he got his big break, and while he wasn’t the most reliable husband, when it came to music, he never wavered. Scholar Stanley Crouch’s Kansas City Lightning is the first of a two-volume biography of Parker.