Hear passionate improvisation across borders on Colombian harp, Argentinian bandoneón, Venezuelan cuatro and vibes from the U.S. In a passionate set with Castañeda, his trio and special guests perform at the Americas Society in New York.
He was a soulful reedman, an amazing talent scout for decades and a bandleader of one of the country’s most popular acts. Born in 1913, Herman led “Thundering Herds” that were both big draws and well-respected by the likes of Igor Stravinsky. Here are five recordings which still sound fresh today.
In the arts mecca of New York City, subway buskers are often overqualified. But they’re not usually world-class jazz singers with the lungs and charisma of old-school soul stars. Accompanied only by a pianist, Porter performs “Be Good (Lion’s Song)” on a vintage subway car in downtown Brooklyn.
Rudresh Mahanthappa’s work always seems to be filed under jazz, but it’s hard to find a style he doesn’t touch: hip-hop, country, metal and soul fused with traditional sounds from India, Africa and Indonesia. And he makes it rock.
“Women in Jazz Day” officially hits New York City Friday, complete with a new documentary on the subject. While the celebration is deserving, it remains incomplete, commentator Lara Pellegrinelli says. She lists many more resources on the subject — on film, print and wax.
The quartet specializes in a distinct strain of deconstructionist improvised music: jazz that aims at fun by bouncing off the walls. Led by slide trumpeter Steven Bernstein, the band parties to the themes of spaghetti western film composer Nino Rota.
Palmieri plays the whole piano, and he’s not shy about throwing an elbow or forearm to get the effect he needs. As a 2013 National Endowment for the Arts Jazz Master, the piano original plays The Kennedy Center in Washington, D.C.