At the KC Jazz Club, Moran sets up two tunes with pre-produced field recordings and sound montages, including a unique take on Fats Waller’s “Honeysuckle Rose.” Hear Moran’s long-running trio The Bandwagon in a set recorded in Washington, D.C.
A linchpin of “cool” jazz in the 1950s and ’60s, he assembled bands that came to be described as chamber jazz, full of unusual textures and future star talent. Hamilton, who continued performing into his ninth decade, was 92.
Grammy-winning musician Esperanza Spalding is pushing for the closure of the Guantánamo Bay detention center in a new protest music video called “We Are America.” She tells guest host Celeste Headlee why she feels it’s an important cause.
The pianist is a musician for whom creativity is a credo and improvisation a way of life. Transforming brilliant technique into unbridled creativity is not only Werner’s musical mission; it’s also the subject of his popular book, Effortless Mastery. Hear an interview and performance.
The pianist’s first visit to France and the 3,000-seat Salle Pleyel concert hall ended in disaster. Fifteen years later, after he became an international star, Monk returned to the same stage with his own band, planning a surprise.
Singer-songwriter and pianist Anthony Strong, 29, waited until he could create something “authentic” before launching his solo career. Now, he’s mining the classic jazz-pop tradition on his new album, Steppin’ Out.
The jazz multi-instrumentalist and composer embarked on a spiritual journey that spanned years before he was able to complete his new record. In a discussion with NPR’s Arun Rath, Nash talks about starting from square one in educating himself about Hindu philosophy.
Glasper jams with host Marian McPartland on Herbie Hancock’s “Dolphin Dance” in a 2006 session.
The trumpeter composes with jazz and Arabic materials, and mixes instruments from both sides of the world. Marvel at the musical flow — even in non-Western modes and odd, long meters at breakneck speeds — in this set, recorded live at the Newport Jazz Festival.
It’ll take at least three guys to move Larry Goldings’ instrument of choice into a basement jazz club. But it also lets the keyboardist explore all his control freak tendencies. He explains the appeal of the legendary electric organ, a staple of gospel and soul music.