In Nicole Mitchell’s words, “The flute and vibes coming together gives us the visual for Ice Crystal.” Hear the adventurous musician and composer play the Mary Lou Williams Women in Jazz Festival with her quartet.
On this 2007 program, recorded before a live audience at the John F. Kennedy Center, Taylor performs his tunes “In Loving Memory” and “If You Really Are Concerned.”
The pianist loves water and music. Inspired by a trip along the Pacific Northwest, The Coastal Suite spins out as one uninterrupted arc. JazzSet captures the broadcast premiere at the Ibeam in New York.
Chicago bassist Matt Ulery writes beautiful music in an unpretentious way. It’s intricate stuff, with interlocking parts and multiple sections, but it comes out sounding folky and simple. His small group, featuring bass clarinet and accordion, has it down pat.
The jazz legend practiced his saxophone 10 to 15 hours a day before he got his big break, and while he wasn’t the most reliable husband, when it came to music, he never wavered. Scholar Stanley Crouch’s Kansas City Lightning is the first of a two-volume biography of Parker.
The trumpeter and bandleader premiered his gospel-jazz Abyssinian Mass back in 2008. But now, accompanied by a 70-voice choir, he’s taking the sprawling work on the road and into African-American churches — whose services were the inspiration for the piece.
The Broadway and screen actress known for her Tony-winning role in Cats, among many other major productions, has recorded 15 solo albums with another on the way. Along with musical director Kenny Werner, she joined Marian McPartland in 2007 for a session of standards.
Professing love for Bob James’ music can yield a side-eye in some circles, as his 1970s work is seen as a progenitor to smooth jazz. But he certainly knew his way around a catchy melody and an infectious riff — as legions of rap and house producers have discovered through sampling.
Costello joins host Marian McPartland and bassist Gary Mazzaroppi to perform “At Last” and more.
At 27, bandleader Trombone Shorty is already an icon in his hometown. So he’s giving back: Through his own foundation, the “supafunkrock” brass player is nurturing even younger talent in local schools.
The saxophonist, 24, came to the U.S. from Chile with little money and less command of English. But she did have some serious ability at the saxophone, which has now found footing in the New York scene. She visits her alma mater to perform with her international band.
The jazz pianist uses his new record to recall works of yesteryear and simultaneously illustrate his new sense of direction.
Growing up in Chile, Melissa Aldana insisted on playing in clubs and transcribed solos like mad — as her father did before her. Now, at 24, she’s won the Thelonious Monk International Jazz Competition for young musicians, and her youthful dedication is beginning to pay off.
The multi-instrumentalist joins Marian McPartland for Duke Ellington and Gershwin tunes in 1997.
Talent, dedication, a skill at adapting classical dances to jazz formats — these are some of Sung’s musical and personal qualities that make her one to watch and listen to. Hear a set from the Mary Lou Williams Women in Jazz Festival.
Widely recognized as one of the preeminent interpreters of Antonio Carlos Jobim, Eliane Elias has lately begun exploring the works of Bill Evans. She plays and sings a previously unreleased Evans tune, “Here Is Something for You,” for which she has written a lyric, and host Marian McPartland gives her own Evans tribute on “B Minor Waltz.”
One gets the sense that the pianist feels completely at ease with his Experiment quartet, running his right hand in circles, cracking jokes and switching directions on the fly. Hear a freewheeling set of vamps and vocoder from the hip-hop hybrid band, with a Herbie Hancock tune followed by a Daft Punk cover.
Bunch learned to arrange for big bands while held captive in a German POW camp during WWII. After returning stateside, he worked with the likes of Woody Herman, Gene Krupa and Benny Goodman, and was Tony Bennett’s pianist for a number of years. Bunch died earlier this year, so Piano Jazz remembers him with this 1991 session.
Ron Carter has set the standard for modern jazz bass players. He rose to fame with Miles Davis, but went on to play with Stan Getz and Thelonious Monk. His recording work spans 2,000 albums, and he’s had equally successful careers as a bandleader, composer and educator. Hear the bassist in a session on Piano Jazz.