The pianist builds R&B with old-school values: singers who don’t need software, live improvising, hand-built beats. They’re jazz aesthetics, essentially — readily evident when members of his Grammy-winning Experiment band jam with singer Marsha Ambrosius.
On Gilchrist’s The View From Here, go-go dance beats inform his piano the same way freight-train boogie-woogie does.
The singer-songwriter remains influential in jazz, but improvisers have yet to fully mine his repertoire. Here are a few of the attempts so far, from musicians such as Kenny Garrett, Carmen Lundy and George Benson.
In the 1950s, New York’s Hickory House was known for its sizzling steaks and a swinging jazz trio led by a young female pianist with a British accent and a God-given touch. McPartland, along with bassist Joe Morello and drummer Bill Crow, held court at the Hickory House for more than a decade.
Jazz writers and broadcasters recap the New York City event, now in its 10th year. Plus, see photos from the music marathon, which took place Friday and Saturday.
The highest federally supported award for jazz artistry goes to four individuals this year. In a live performance from Jazz at Lincoln Center in New York, Anthony Braxton, Richard Davis, Jamey Aebersold and Keith Jarrett are honored.
The composer and bandleader made his first recordings in the late 1940s. In the decades since, Heath has played with and written for everyone from Charlie Parker and Dizzy Gillespie to Miles Davis and Milt Jackson.
Proulx performs Nat King Cole’s “The Frim Fram Sauce,” Billy Joel’s “And So It Goes” and more.
McPartland and guest host Elvis Costello stroll down memory lane as she discusses her favorite moments from more than 700 episodes of Piano Jazz. Costello serenades McPartland with a moving version of “P.S. I Love You” and introduces a new song, “You Hung the Moon.”
Fit with rubbery keys and advanced electronics, the newly minted keyboard is designed to realistically mimic other instruments, thus allowing one player to sound like many. Christopher Werth speaks with the instrument’s inventor, Roland Lamb, to understand just how it works.