A panel of musicians assembled by the Congressional Black Caucus Foundation had lots of ideas.
In an archival show from 1990, Piano Jazz celebrates the centennial of Stephane Grappelli, one of the jazz world’s greatest violinists. Grappelli first found fame in France with Django Reinhart’s Quintette du Hot Club. He went on to an illustrious career playing with everyone from Oscar Peterson to Paul Simon to Yo-Yo Ma.
Saxophonist and bandleader Paul Winter has created his own unique style of environmentally conscious music. The natural world is not only an inspiration, but it has also been a collaborator in his music. Winter talks about playing with humpback whales, as well as his legendary recording expeditions to the Grand Canyon.
Walker is an exciting presence on the jazz scene, singing with impeccable phrasing, a soulful swing and a warmly sensuous tone. She and host Marian McPartland spend a delightful hour talking about the jazz life and performing together on “The More I See You,” “It Could Happen to You” and Walker’s own tune, “Love Is.”
Pianist Hod O’Brien is a stalwart bebop acolyte. Since emerging on the scene in the late 1950s playing with Oscar Pettiford and Stan Getz, O’Brien has earned critical acclaim and accolades from his peers. He joins host Marian McPartland and performs an original tune written for the occasion, “Clarion for Marian.”
Ken Peplowski, Evan Christopher and Anat Cohen are three of the today’s top practitioners of the licorice stick. Backed by a band proficient in time-honored and broad-shouldered styles of the Swing Era, this reedy convocation generates plenty of fireworks.
Eight more hours of video await, including Tedeschi Trucks Band, Kurt Elling and Jenny Scheinman.
Since he came over from Cuba, the phenomenally talented percussionist has found a place in scores of bands. But here, he’s the star. Behind the congas and microphone, he leads a quartet which goes way beyond what you’d think of Afro-Cuban music or jazz.
After years of singing other people’s songs, bandleader and co-founder Ginny Carr has crafted a tightly harmonized album of originals.
This weekend, NPR Music and our partners WBGO and WGBH are presenting 16 hours of live video webcasting from the 2012 Newport Jazz Festival. For your convenience, here’s a breakdown of what you’ll see online and hear on WBGO.
Grady Tate began his jazz career as a much-celebrated drummer, backing such icons as Wes Montgomery, Ella Fitzgerald, and Quincy Jones. Tate has since traded in his skins for a microphone at center stage, where he delivers smooth and soulful baritone vocals. With pianist John di Martino, Tate sings “Everybody Loves My Baby” and “Where Do You Start.”
Another round of Newport previews, drummer Michael Carvin and much ado about jazz standards.
Festival organizers also know that they present a music whose creators get better and wiser with age. Surely enough, this year’s lineup recognizes the continuing creativity of bandleaders like Jack DeJohnette, Dianne Reeves and Pat Metheny.
Hear the pianist and reed player in sets from the Kennedy Center’s Women in Jazz Festival.
Scholar and fan Ryan Truesdell has turned unheard Evans scores into richly textured works.
We took recordings from all the bandleaders on the bill this year and put them into a online stream.
Get ready for the festival with this mix of the festival’s artists, from living legends to young phenoms. Find NPR Music’s coverage from Newport, Aug. 4-5, at npr.org/newportjazz.
A boogie-woogie pianist gets his due, Charlie Haden on his late drummer and Portland dispatches.
The singer, songwriter and pianist is back with a new album of classic Duke Ellington tunes.
A true legend of public radio and a longtime friend of host Marian McPartland, Studs Terkel appeared on Piano Jazz in 1992 for a special fundraising edition. The two quizzed each other about radio, shared memories of jazz personalities and improvised music and conversation.
Here are five bands, all debuting at Newport, who represent new generations of jazz expression.
Lloyd, Zakir Hussain and Eric Harland created a confluence of East and West sounds at Newport.
Fans of the trumpeter and bandleader may know that he has appeared in a few movies. But when it comes to the HBO program about his hometown, the lines between real life and acting begin to blur — especially when it comes to his new album.
A New York Times article explains how apprentice musicians still find masters — just in new ways.
The trumpeter and composer has created a double album that extends his jazz inheritance as it acknowledges the past — from Africa through New Orleans and New York — that has made him who he is today.
The NEA Jazz Masters are announced, a sideman in the spotlight and some pianists speak their minds.
For years Marian McPartland has been trying to line up Keith Jarrett for a Piano Jazz session. Following his stellar performance at Carnegie Hall in 2005, Marian confronted the elusive performer and convinced him to put in an appearance on her show. Hear an interview and performance.
Davis’ bluesy alto sax rasp is straight out of Charlie Parker’s playbook, but makes it his own in a new live recording from the Smalls Jazz Club.
Individually, they’ve been at the core of the post-bop jazz scene for decades. So it’s no surprise that as a band, they’re colossal. Hear drummer Billy Hart and the rest of this colossal jazz collective play their original pieces in this Jazz24 session.
Saxophonist and composer Ravi Coltrane — son of John and Alice — says his mother’s love of symphonic music provided a childhood soundtrack for him and his siblings.
From the stage, Figarova is surveying an iconic jazz scene — people on the lawn, Narragansett Bay in the background, boats floating in the harbor. Hear the pianist and her European sextet in a concert from the Newport Jazz Festival.
The jazz musician didn’t make his burden any lighter by choosing to play tenor and soprano saxophones — the same instruments his father, John Coltrane, indelibly stamped. But critic Kevin Whitehead says he speaks in his own voice on the album Spirit Fiction.
When Billie Holiday died on July 17, 1959, thousands of mourners attended her funeral at St. Paul the Apostle Roman Catholic Church in New York City. But Holiday isn’t buried in New York’s Woodlawn Cemetery, near Duke Ellington and Miles Davis. Instead, she’s “way, way, way out” in the Bronx.
Mingus wrote, Miles talked, Sonny picked, Bean assessed, Trane spoke — and that’s just the start.
Here, Piano Jazz showcases vibraphone virtuoso Dave Samuels along with pianist Alain Mallet. Samuels’ gift for evocative melody and his rhythmic versatility make him one of the leading mallet players of his generation.
The pianist Oliver Jones, 77, was in his mid-40s when he moved back to Montreal, the city where he grew up in the shadow of Oscar Peterson. Decades later, he’s a national treasure unto himself.
We’re in a guitar world, from Pakistan to Brazil and from steel strings to nylon, as the Rez Abbasi Acoustic Quartet and Trio da Paz play in turn at the Newport Jazz Festival.
The bass drummer, singer and a public face of the Treme Brass Band died last weekend.
Watch a live video webcast from coastal New England during the weekend of Aug. 4-5.
The bassist and bandleader was born in Malaysia to Chinese parents, but as a toddler she moved with her family to Australia. Oh has since traveled back to Shanghai, where her grandmother is from, and taken up Mandarin classes. Her album weaves in her family’s stories — and even their languages.
Piano Jazz celebrates its 30th anniversary with a return visit from pianist, composer and arranger Dick Hyman, who appeared on the show during its first season in 1979. Always the fleet-fingered pianist and versatile musician, Hyman performs Gershwin, Jobim and a James P. Johnson rag before winding up the hour playing an improvised blues tune with host Marian McPartland.
From two stages at the Newport Jazz Festival, hear a gifted young singer and the Latin side of Herbie Hancock.
Bassist Linda Oh’s story is so compelling, everyone who writes about her mentions it: how she was born in Java to Chinese parents, who emigrated to western Australia when she was three. Oh’s second album is out. Jazz critic Kevin Whitehead says her music also covers a lot of ground.