The late pianist led a trio for many years in Southern California clubs and accompanied many great singers on movie sets and stages. Piano Jazz remembers Gerry Wiggins with this archived performance and conversation from 1992.
In the first generation of bebop musicians, Ray Brown was king of the jazz bass. He mentored a young player named Christian McBride, and today, McBride is jazz’s “go-to” bassist. While visiting Seattle’s KPLU, he performs with pianist Peter Martin.
Dee Dee Bridgewater, Dianne Reeves and Cassandra Wilson sing from the Abbey Lincoln songbook.
He’s a restless creative spirit who can’t keep still on stage, but now the jazz harmonica player has the recorded document to back up his reputation. Maret brings his quartet to WBGO to perform tunes from his self-titled debut album.
There have been a few groundbreaking harpists in jazz and improvised music, from Dorothy Ashby to Zeena Parkins. Now, Fresh Air‘s jazz critic says the Colombian phenomenon joins that list with Double Portion, his new album of solos and duets.
Ravi Coltrane and Neneh Cherry will release new albums 52 years after their dads recorded together.
A global pop star of the late ’80s and ’90s returns by collaborating with the Scandinavian free-jazz trio, which took its name from her stepfather. As you might expect, the results are wild, homemade and raw — and somehow, they make a lot of sense.
He took a snapshot of his long-running quartet mid-experiment. Then he thought he’d record a completely different band on a different set of tunes. The result is Ravi Coltrane’s sixth studio album, the latest progress report from the saxophonist.
Three concert presenters and three record labels explain how they’re trying to attract new fans.
Opinions abound regarding alternate employment, how to put butts in seats, and anime jazz.
When you’re a world-class jazz drummer like these two, your calendar fills up pretty quickly with world-class gigs. So NPR Music and WBGO are giving the drummers some — that is, some time to showcase their own tunes and own bands.
In Shearing’s second appearance on the program from 1987, host Marian McPartland reminisces with her fellow countryman about obscure British tunes, and the two have fun re-harmonizing “God Save the Queen.” Shearing also sings and plays Cole Porter’s “After You,” and the two end with a two-piano version of “Indiana.”
The trumpeter and the drummer each bring high-energy bands to the Detroit Jazz Festival.
The drummer is an awfully busy player — as likely to improvise with jazz musicians as she is to back Brandi Carlile — but in recent years, she’s carved out time to write music for her own group. A few tunes are dedicated to friends like her first teacher, a “sometimes great guy.”
Spalding treated the Morning Becomes Eclectic crew to a full-band in-studio performance during a recent visit to Santa Monica. Watch Spalding and company perform “Smile Like That” from Radio Music Society.
The talk-show host and former presidential candidate also plays bass in a rock group. But he says his tastes were more shaped by the big-band jazz his parents played.
Drummer Mike Reed’s quartet People, Places and Things was put together to spotlight music written in Chicago in a fertile period between 1954 and 1960. The group has since expanded its mission to include later works, which are included on a new album titled Clean on the Corner.
A 2,799 word article from 1983 details the “marginal” business of journalism with humor and despair.
Every Sunday at Seattle’s Cafe Racer, musicians gather for a session of experimental music. But after four people were killed last Wednesday at the coffeehouse and bar, this week’s jam session took place in a different venue — the alley out back — with a very different tone.
An annual jazz festival brings great musicians to the nation’s capital. But here are five great musicians who will keep the District swinging well after early June — folks like Brian Settles, Fred Foss and Reginald Cyntje.
Jerry Gonzalez, the late Pete Cosey, anecdotes of a trad-jazz band and your brain on the Internet.
Pianist and singer Barbara Carroll was host Marian McPartland’s second guest during the first season of Piano Jazz. Thirty years later, Carroll makes a return appearance to reminisce with her friend about their experiences at the Hickory House and the Oak Room. Carroll gives a charming performance of “Very Early” and McPartland improvises a musical portrait of her guest.
Veteran drummer Jack DeJohnette stops by the Jazz24 studios in Seattle, to perform a studio session with two longtime collaborators: pianist Chick Corea and bassist Stanley Clarke.
The guitarist’s uptempo tunes swing and his ballads melt at the Kennedy Center.
The guitarist called his last album Hearts Wide Open, a mission statement of his search for the emotional core in modern jazz. Along the way, he wrote a few nifty tunes for a band of top New York players, including saxophonist Mark Turner.
A Toronto-based jazz trio whose approach to the genre has angered aficionados and grabbed the attention of young fans, BADBADNOTGOOD carries on jazz’s rich tradition of reinvention and provocation in “UWM.”
Henry Cole’s debut album is an Afrobeat party — which isn’t that far removed from his jazz style.
Masabumi Kikuchi’s fully improvised album Sunrise features late, like-minded drummer Paul Motian.
Ralph Peterson, Neneh Cherry, the Library of Congress archives and a generous Metallica bassist.
In New York, an Israeli guitarist found the beating heart of modern jazz. In San Juan, a jazz drummer found the African heart of Afro-Caribbean party music. Musical traditions unite on the dance floor during this performance in downtown Manhattan.
Italian import Daniela Schaechter is a brilliant young pianist and singer, taking the jazz scene by storm. Judging by her list of awards and the number of jazz luminaries she’s played with, one might think she’d been gigging professionally for dozens of years. Schaechter performs her own tune “Dark Blue,” and McPartland joins in for “It Could Happen to You.”
The saxophonist performs a piece by his contemporary — a practice much rarer than you might think.
Cuadrado sets surrealist Spanish poems to music in a concert at 92Y Tribeca.
Chilean rapper Ana Tijoux stops by to discuss her most recent album, her secret desire to make a jazz record and her musical theories.
Pianist and composer Kurt Ellenberger urges musicians to “make money doing something else.”
Jason Crane of The Jazz Session interview podcast is touring the U.S. via Greyhound bus.
Whistling guitarist and harmonica master Toots Thielemans has played in everything from Charlie Parker’s band to commercials for Old Spice. In his childhood home of Brussels — really, throughout his homeland — the celebration of his 90th birthday is on.
Buffalo native Christopher Ziemba is a young pianist and composer, currently honing his craft at the Eastman School of Music. He took the stage at age 7, and he’s already performed at Carnegie Hall. Ziemba makes his Piano Jazz debut here, performing “Dream Dancing” and “The Nearness of You.”
Steve Lehman’s new album Dialect Fluorescent ends with a song called “Mr. E,” a composition written by jazz legend Jackie McLean. But the connections run deep between Lehman and the alto saxophonist he considers a personal hero.
He broke all the rules of jazz and improvised music — and that was in the 1950s. Now 83 and idolized by musicians, the great improviser is celebrated for developing a unique language at the keyboard.
The Vortex in London is a 100-person venue which recently hosted the Vijay Iyer Trio and the BBC. It’s been an engine of economic growth for its community and is embraced by musicians. It’s all the more remarkable considering no staff are paid.
In one of his final performances, Armstrong used “Hello Dolly” to convey the joy of being alive.
A professor of music writes about how a proliferation of teaching jazz hasn’t made it more popular.
Famous for his collaborations with Miles Davis, Evans brought orchestral colors and textures to jazz, and was a pioneer of the “cool” sound.
The Cuban trumpeter first met Dizzy Gillespie in 1977, when the American jazzman came to Havana to play a concert. It was the start of a friendship that would last until Gillespie’s death in 1993.
“Cookie cutter” students, young musicians in New York and the history of jazz in India.
In Boston, three professors and musical virtuosos meet weekly to give concerts of free improvisation — and have for four decades. One fan tells us about how she saw The Fringe so many times, the manager of the club finally offered her a job tending bar.
Piano Jazz celebrates the centennial of songwriter and lyricist Johnny Mercer. Pianist-singer and Mercer enthusiast Daryl Sherman brings her sophisticated swing and witty charm to the show for performances of “Too Marvelous for Words” and “Jeepers Creepers.” McPartland joins in on one of her favorite Mercer tunes, “Skylark.”
The Undead Music Festival hosts a nationwide “Night of the Living DIY” this Friday, organizing house concerts from Oakland to Brooklyn. As one grassroots concert presenter explains, living rooms might just be where improvisation thrives best.
For arranger Gil Evans’ centennial, we present a concert from the 2011 Monterey Jazz Festival. Terence Blanchard plays Davis’ role with commitment and emotion.
Pianist Christian Sands has an old-school jazz education — yet loves to riff over Kanye West beats and arrange OutKast songs. Of course, if you follow improvised music today, this is far from unusual.
Plenty of instrumental bands conversant with today’s pop music come from a similar perspective with more creativity — if not attention. Here are five such groups that preserve the same keyboards-bass-drums lineup of the young Toronto trio.
At the 52nd Monterey Jazz Festival, three-quarters of the stellar fusion band Return to Forever re-united. They are Chick Corea, Stanley Clarke and Lenny White on piano, bass and drums, respectively. Hear the highly charged acoustic set.