Guest host Michaela Majoun talks to the jazz and blues singer about her new album, The Blue Room.

Vocalist Cecile McLorin Salvant and pianist Aaron Diehl, both in their 20s, have already racked up major industry prizes. They took radically different paths to get there, but on Salvant’s new album, they find ways to honor old traditions as young people.

With the bass, “you have a lot more power than you may think,” Oh says in a session with Jon Weber.

NPR’s Ari Shapiro and others join the Pink Martini co-founder in a journey through popular song.

Among jazz musicians, especially in New York City, Kenny Barron is considered an institution. So it’s fitting that the pianist gets to celebrate his 70th birthday at another New York jazz institution. Here, Barron demonstrates his ebullient clarity in a live video webcast.

Fleck joins host Marian McPartland and bassist Gary Mazzaroppi for trio renditions of “In Walked Bud,” “All the Things You Are” and “Polka Dots and Moonbeams.”

JazzSet celebrates the 70th birthday of NEA Jazz Master Kenny Barron with new duets featuring bassist Dave Holland at the Kennedy Center’s Family Theater. Plus, hear a solo Barron set from the Caramoor Jazz Festival.

A musician who served under Art Blakey, Betty Carter and with the Duke Ellington Orchestra, Miller can be heard on more than 500 albums, including several with his own bands. Beloved by multiple generations of fellow musicians for his commanding, supple style and generous mentorship, he was 57.

Four years after it was recorded live in Lucerne, Switzerland, an album of six standards called Somewhere is finally getting a proper release.

Musically speaking, it’s hard to discern much of a connection to The Rite Of Spring in saxophonist Phil Woods’ Rights Of Swing suite. But in the final “Presto” section, he and his French horn player leave a little Easter egg for us — like many jazz recordings before and after it.

A 100-year-old ballet, composed by a Russian for a French audience, has become something of a standard in an idiom which didn’t exist when it premiered. Whether covered, quoted or praised, Stravinsky’s masterwork has inspired multiple generations of improvisers.

Salvant discusses her journey to discover jazz, and Jon Weber accompanies her in “I Can’t Dance.”

The great composer and bandleader was distraught over the 1967 death of Billy Strayhorn, his songwriting and arranging partner of 28 years. But Ellington took Strayhorn’s passing as an impetus, born of necessity, to increase his own productivity. Here are five examples.

At the Village Vanguard, one flight down from the hubbub of New York City, in a tight space packed with people, we’re about to embark on a musical odyssey by sea. Our captain is saxophonist Chris Potter, who’s launching his Odyssey-inspired album The Sirens.

The two artists are known opposites in the world of instrumental music. On Metheny’s latest, the jazz guitarist wrings an unexpectedly visual listening experience from Zorn’s knotty compositions.

Divine: The Jazz Albums, 1954-1958 packs four CDs with Vaughan’s music, recorded live or in the studio with bands big and small. Two live albums from Chicago nightclubs are standouts, partly when a performance threatens to slide off the rails.