The trumpeter and bandleader premiered his gospel-jazz Abyssinian Mass back in 2008. But now, accompanied by a 70-voice choir, he’s taking the sprawling work on the road and into African-American churches — whose services were the inspiration for the piece.
Chicago bassist Matt Ulery writes beautiful music in an unpretentious way. It’s intricate stuff, with interlocking parts and multiple sections, but it comes out sounding folky and simple. His small group, featuring bass clarinet and accordion, has it down pat.
The Broadway and screen actress known for her Tony-winning role in Cats, among many other major productions, has recorded 15 solo albums with another on the way. Along with musical director Kenny Werner, she joined Marian McPartland in 2007 for a session of standards.
Professing love for Bob James’ music can yield a side-eye in some circles, as his 1970s work is seen as a progenitor to smooth jazz. But he certainly knew his way around a catchy melody and an infectious riff — as legions of rap and house producers have discovered through sampling.
Guitarist Pat Martino and saxophonist James Carter might be separated in age by a generation but musically, they’re absolute equals—Martino is just as agile and innovative on his guitar as Carter is on his saxophone. When Pat and James visited the KPLU performance studio they were accompanied by organist, Pat Bianchi and drummer, Carmen [...]
Every time her tour schedule brings her to Seattle’s Jazz Alley, Grammy-nominated vocalist Karrin Allyson makes a stop in the KPLU performance studio to visit her friend, Dick Stein. You can also find our Studio Sessions available as a video podcast in iTunes. https://itunes.apple.com/us/podcast/kplu-studio-sessions-video/id657517777
Costello joins host Marian McPartland and bassist Gary Mazzaroppi to perform “At Last” and more.
At 27, bandleader Trombone Shorty is already an icon in his hometown. So he’s giving back: Through his own foundation, the “supafunkrock” brass player is nurturing even younger talent in local schools.
The saxophonist, 24, came to the U.S. from Chile with little money and less command of English. But she did have some serious ability at the saxophone, which has now found footing in the New York scene. She visits her alma mater to perform with her international band.
The jazz pianist uses his new record to recall works of yesteryear and simultaneously illustrate his new sense of direction.