On Feb. 5, 1953, Powell was uncommunicative face to face at the New York jazz club Birdland. But when he sat at the keys, it was a whole other story.
Marian McPartland joins the pianist and horn player in “Yesterdays” and “Nadine’s Blues” in 1988.
With his heady, bop-rooted explorations of improvised music, pianist and composer Hill stretched the boundaries of jazz. He demonstrated his mastery of melody, rhythm and technique in a 2005 session.
Rene Marie, Allan Harris and Carla Cook are in sweet harmony with a message in this concert from the KC Jazz Club in Washington, D.C.
A jazz trio plays the score to Igor Stravinsky’s gloriously noisy, 101-year-old fever dream of a ballet as literally as possible — and still manages to sound like itself.
One of the most talked-about names in jazz, the 32-year-old trumpeter is more auteur than star. In an extended interview, he explains why it’s crucial to let his collaborators think for themselves.
I belong to a Facebook group called “Jam Of The Week.” Each week, the group’s founder, a wonderful Portland trumpet player named Farnell Newton, picks a jazz tune, and any musician from anywhere in the world can post a video of himself or herself playing a one chorus solo over the tune. In about a month […]
Brackeen, the only female alumnus of Art Blakey’s Jazz Messengers, plays originals, standards and a few Ornette Coleman-inspired tunes with host Marian McPartland.
Sutton and host Michael Feinstein compare back-to-back versions of jazz standards “Fly Me to the Moon” and “Without a Song” in a session.
Host Marian McPartland talks to her longtime friend and idol on the first episode, recorded in 1978 with Williams and bassist Ronnie Boykins.