Whether executing the new visions of his peers or fielding calls from veterans, few young jazz guitarists are as highly tipped. Matthew Stevens leads a band in songs from his forthcoming debut album.
On Feb. 5, 1953, Powell was uncommunicative face to face at the New York jazz club Birdland. But when he sat at the keys, it was a whole other story.
Marian McPartland joins the pianist and horn player in “Yesterdays” and “Nadine’s Blues” in 1988.
With his heady, bop-rooted explorations of improvised music, pianist and composer Hill stretched the boundaries of jazz. He demonstrated his mastery of melody, rhythm and technique in a 2005 session.
Rene Marie, Allan Harris and Carla Cook are in sweet harmony with a message in this concert from the KC Jazz Club in Washington, D.C.
A jazz trio plays the score to Igor Stravinsky’s gloriously noisy, 101-year-old fever dream of a ballet as literally as possible — and still manages to sound like itself.
One of the most talked-about names in jazz, the 32-year-old trumpeter is more auteur than star. In an extended interview, he explains why it’s crucial to let his collaborators think for themselves.
I belong to a Facebook group called “Jam Of The Week.” Each week, the group’s founder, a wonderful Portland trumpet player named Farnell Newton, picks a jazz tune, and any musician from anywhere in the world can post a video of himself or herself playing a one chorus solo over the tune. In about a month […]
Brackeen, the only female alumnus of Art Blakey’s Jazz Messengers, plays originals, standards and a few Ornette Coleman-inspired tunes with host Marian McPartland.
Sutton and host Michael Feinstein compare back-to-back versions of jazz standards “Fly Me to the Moon” and “Without a Song” in a session.