In 1986, the iconic jazz pianist experimented with drums, bass and electric guitar in his home studio. Decades later, he’s finally released the tapes. Reviewer Banning Eyre says that on No End, Jarrett seems to cherish rediscovering a side of his younger self.
To say that the voice of singer Rachelle Ferrel is supple would be to understate its magnificence. Ms. Ferrel’s voice has a 6-octave range which conveys deep and surprising levels of emotion. As you can imagine, KPLU was very proud to host her and her pianist, Mo Pleasure, in an intimate studio session. She performed […]
Jazz bassist and composer Ben Allison looks back on an era when sci-fi sounds began infiltrating popular music, and discusses his new album, The Stars Look Very Different Today.
Host Rachel Martin is joined by pianist Batiste and his band, who hope to make jazz transcend genres and generations, as they play live at NPR’s headquarters.
Hear the former Bill Evans Trio bassist play “Stella by Starlight” with host Marian McPartland.
At the KC Jazz Club, Moran sets up two tunes with pre-produced field recordings and sound montages, including a unique take on Fats Waller’s “Honeysuckle Rose.” Hear Moran’s long-running trio The Bandwagon in a set recorded in Washington, D.C.
A linchpin of “cool” jazz in the 1950s and ’60s, he assembled bands that came to be described as chamber jazz, full of unusual textures and future star talent. Hamilton, who continued performing into his ninth decade, was 92.
Grammy-winning musician Esperanza Spalding is pushing for the closure of the Guantánamo Bay detention center in a new protest music video called “We Are America.” She tells guest host Celeste Headlee why she feels it’s an important cause.
The pianist is a musician for whom creativity is a credo and improvisation a way of life. Transforming brilliant technique into unbridled creativity is not only Werner’s musical mission; it’s also the subject of his popular book, Effortless Mastery. Hear an interview and performance.
The pianist’s first visit to France and the 3,000-seat Salle Pleyel concert hall ended in disaster. Fifteen years later, after he became an international star, Monk returned to the same stage with his own band, planning a surprise.