Singer-songwriter and pianist Anthony Strong, 29, waited until he could create something “authentic” before launching his solo career. Now, he’s mining the classic jazz-pop tradition on his new album, Steppin’ Out.
The jazz multi-instrumentalist and composer embarked on a spiritual journey that spanned years before he was able to complete his new record. In a discussion with NPR’s Arun Rath, Nash talks about starting from square one in educating himself about Hindu philosophy.
Glasper jams with host Marian McPartland on Herbie Hancock’s “Dolphin Dance” in a 2006 session.
The trumpeter composes with jazz and Arabic materials, and mixes instruments from both sides of the world. Marvel at the musical flow — even in non-Western modes and odd, long meters at breakneck speeds — in this set, recorded live at the Newport Jazz Festival.
It’ll take at least three guys to move Larry Goldings’ instrument of choice into a basement jazz club. But it also lets the keyboardist explore all his control freak tendencies. He explains the appeal of the legendary electric organ, a staple of gospel and soul music.
Down-home and majestic, the tenor saxophonist’s sound was like a cane stalk shooting up out of rich earth. His 1960 album The Book Cooks features fellow sax-man Zoot Sims in a friendly square-off.
As a bandleader in the 1960s and ’70s, Smith wrote timeless music — and secured that label during the ’80s and ’90s, when hip-hop producers sampled his work left and right. NPR’s Arun Rath speaks with Smith on the occasion of a new album that revives the out-of-print gems of a six-decade career.
The jazz vibraphone pioneer played with Stan Getz and Chick Corea, was an early adopter of jazz fusion, and became the Dean of Berklee College of Music. He’s now past retirement age, but in a session with guitarist Julian Lage, his flying four-mallet technique hasn’t slowed a bit.
An in-demand singer and pianist, Walesch has earned fans across the Midwest, one jazz club and piano bar at a time. Hear him perform three songs live on stage in Grand Marais, Minn.
Anderson shares his “musical memoir” of growing up in 1960s Chicago with a live version of his Sweet Chicago Suite at the Newport Jazz Festival. His scaled-down Pocket Brass Band aims to sound like a full-sized jazz marching band.