The hot and historic band from New Orleans brings us a tuba-wielding Santa and some original holiday cheer and praise — what its members call a Cajun Christmas from the French Quarter. The goal here is simple: to bring you joy.
The Big Phat Band makes its Monterey Jazz Festival debut with “Rhapsody in Blue” and “Hunting Wabbits,” inspired by Carl Stalling’s 1940s scores for Warner Brothers cartoons. The music tumbles all over itself.
American Routes host Nick Spitzer calls in to chat with NPR’s David Greene about a few noteworthy Christmas contributions from some of jazz music’s most revered and beloved artists.
We asked 136 jazz journalists to pick their favorite albums that came out this year. Out of over 700 nominees, here are their collective top 50 picks, along with top finishers in the Latin jazz, vocal, debut and reissue categories.
In a year where pop culture looked back at the 1960s, it makes sense that jazz critics lauded the 80-year-old Shorter, who made his first recording in 1959. His latest album displays him as enigmatic as ever — and as committed to finding new sounds.
You could look at Michele Rosewoman’s New Yor-uba band as reuniting cousins who’ve drifted apart: jazz, and folkloric Cuban music with its own family ties to the slave coast of West Africa.
Cline expertly shifts from one genre to another, with an emphasis on melodic improv and minimalism. Hear the guitarist and composer perform songs from 2009’s Coward in this archived session from the same year.
With a career derailed due to severe hand problems, Amadie found a way to play the music he loved.
Baum’s latest music is inspired by the late Pakistani vocalist Nusrat Fateh Ali Khan, one of the most celebrated voices in the world. While Khan died more than 15 years ago, Baum talks about his influence on her new album, In This Life.
NPR’s Melissa Block talks with music critic Tom Moon about three recently released live recordings, all from around 1970, that each capture an artist at a distinct point of change in his career.