In Nicole Mitchell’s words, “The flute and vibes coming together gives us the visual for Ice Crystal.” Hear the adventurous musician and composer play the Mary Lou Williams Women in Jazz Festival with her quartet.
On this 2007 program, recorded before a live audience at the John F. Kennedy Center, Taylor performs his tunes “In Loving Memory” and “If You Really Are Concerned.”
The pianist loves water and music. Inspired by a trip along the Pacific Northwest, The Coastal Suite spins out as one uninterrupted arc. JazzSet captures the broadcast premiere at the Ibeam in New York.
On a beautiful fall day, jazz singer/songwriter Halie Loren made her second visit to KPLU’s performance studio. Her first live Jazz24/KPLU performance was so well received in the fall of 2012, we couldn’t resist inviting her back as she passed through town on a tour that celebrates the release of her latest CD, Simply Love. […]
Chicago bassist Matt Ulery writes beautiful music in an unpretentious way. It’s intricate stuff, with interlocking parts and multiple sections, but it comes out sounding folky and simple. His small group, featuring bass clarinet and accordion, has it down pat.
The jazz legend practiced his saxophone 10 to 15 hours a day before he got his big break, and while he wasn’t the most reliable husband, when it came to music, he never wavered. Scholar Stanley Crouch’s Kansas City Lightning is the first of a two-volume biography of Parker.
The trumpeter and bandleader premiered his gospel-jazz Abyssinian Mass back in 2008. But now, accompanied by a 70-voice choir, he’s taking the sprawling work on the road and into African-American churches — whose services were the inspiration for the piece.
The Broadway and screen actress known for her Tony-winning role in Cats, among many other major productions, has recorded 15 solo albums with another on the way. Along with musical director Kenny Werner, she joined Marian McPartland in 2007 for a session of standards.
Professing love for Bob James’ music can yield a side-eye in some circles, as his 1970s work is seen as a progenitor to smooth jazz. But he certainly knew his way around a catchy melody and an infectious riff — as legions of rap and house producers have discovered through sampling.
Guitarist Pat Martino and saxophonist James Carter might be separated in age by a generation but musically, they’re absolute equals—Martino is just as agile and innovative on his guitar as Carter is on his saxophone. When Pat and James visited the KPLU performance studio they were accompanied by organist, Pat Bianchi and drummer, Carmen […]