Fans of the trumpeter and bandleader may know that he has appeared in a few movies. But when it comes to the HBO program about his hometown, the lines between real life and acting begin to blur — especially when it comes to his new album.

A New York Times article explains how apprentice musicians still find masters — just in new ways.

The trumpeter and composer has created a double album that extends his jazz inheritance as it acknowledges the past — from Africa through New Orleans and New York — that has made him who he is today.

Ravi Coltrane says the house he grew up in on Long Island is a monument to the life-changing power of his father’s creativity.

The NEA Jazz Masters are announced, a sideman in the spotlight and some pianists speak their minds.

For years Marian McPartland has been trying to line up Keith Jarrett for a Piano Jazz session. Following his stellar performance at Carnegie Hall in 2005, Marian confronted the elusive performer and convinced him to put in an appearance on her show. Hear an interview and performance.

Davis’ bluesy alto sax rasp is straight out of Charlie Parker’s playbook, but makes it his own in a new live recording from the Smalls Jazz Club.

Individually, they’ve been at the core of the post-bop jazz scene for decades. So it’s no surprise that as a band, they’re colossal. Hear drummer Billy Hart and the rest of this colossal jazz collective play their original pieces in this Jazz24 session.

Saxophonist and composer Ravi Coltrane — son of John and Alice — says his mother’s love of symphonic music provided a childhood soundtrack for him and his siblings.

From the stage, Figarova is surveying an iconic jazz scene — people on the lawn, Narragansett Bay in the background, boats floating in the harbor. Hear the pianist and her European sextet in a concert from the Newport Jazz Festival.

The jazz musician didn’t make his burden any lighter by choosing to play tenor and soprano saxophones — the same instruments his father, John Coltrane, indelibly stamped. But critic Kevin Whitehead says he speaks in his own voice on the album Spirit Fiction.

When Billie Holiday died on July 17, 1959, thousands of mourners attended her funeral at St. Paul the Apostle Roman Catholic Church in New York City. But Holiday isn’t buried in New York’s Woodlawn Cemetery, near Duke Ellington and Miles Davis. Instead, she’s “way, way, way out” in the Bronx.

Mingus wrote, Miles talked, Sonny picked, Bean assessed, Trane spoke — and that’s just the start.

Here, Piano Jazz showcases vibraphone virtuoso Dave Samuels along with pianist Alain Mallet. Samuels’ gift for evocative melody and his rhythmic versatility make him one of the leading mallet players of his generation.

The pianist Oliver Jones, 77, was in his mid-40s when he moved back to Montreal, the city where he grew up in the shadow of Oscar Peterson. Decades later, he’s a national treasure unto himself.

We’re in a guitar world, from Pakistan to Brazil and from steel strings to nylon, as the Rez Abbasi Acoustic Quartet and Trio da Paz play in turn at the Newport Jazz Festival.

The bass drummer, singer and a public face of the Treme Brass Band died last weekend.

Watch a live video webcast from coastal New England during the weekend of Aug. 4-5.

The bassist and bandleader was born in Malaysia to Chinese parents, but as a toddler she moved with her family to Australia. Oh has since traveled back to Shanghai, where her grandmother is from, and taken up Mandarin classes. Her album weaves in her family’s stories — and even their languages.

Piano Jazz celebrates its 30th anniversary with a return visit from pianist, composer and arranger Dick Hyman, who appeared on the show during its first season in 1979. Always the fleet-fingered pianist and versatile musician, Hyman performs Gershwin, Jobim and a James P. Johnson rag before winding up the hour playing an improvised blues tune with host Marian McPartland.

From two stages at the Newport Jazz Festival, hear a gifted young singer and the Latin side of Herbie Hancock.

Bassist Linda Oh’s story is so compelling, everyone who writes about her mentions it: how she was born in Java to Chinese parents, who emigrated to western Australia when she was three. Oh’s second album is out. Jazz critic Kevin Whitehead says her music also covers a lot of ground.

Gary Walker, music director of WBGO in Newark, highlights the pianist’s take on a Miles Davis classic.

The New York percussionist gathered musicians featured on his new album, Bamako By Bus, for a studio session with WBGO’s The Checkout. Listen to the entire set and watch a slideshow of photos from the session.

Matt Fleeger of KMHD in Portland, Ore., highlights the British trombone player’s new album.

Gary G. Vercelli of California’s Capital Public Radio finds the jazz guitarist covering a Coltrane classic.

Salamishah Tillet explains why Simone’s pursuit of a life without fear still gives us all — musicians and fans alike — something to learn from.

Willard Robison wrote strange pastoral tunes in the mid-1920s. Jazz guitarist Matt Munisteri has been collecting and recording these songs for nearly a decade, and he’s finally gotten around to releasing his own versions.

The French guitarist, whose playing can be heard throughout Woody Allen’s Midnight in Paris, discusses his new album and the enduring influence of Django Reinhardt.

As part of its summer series on the sounds of music al fresco, Weekend Edition Saturday speaks with John Thornton, a trumpet player who holds court outside the National Archives.

Sung is a dazzling and passionate player with a flawless technique and an exquisite touch. The Thelonious Monk Institute of Jazz Performance graduate has played with such luminaries as Clark Terry and Wynton Marsalis. She shows off her compositional skills when she plays her own tune (“Hope Springs Eternally”), and she joins host Marian McPartland on “Someday My Prince Will Come.”

Preview some of the artists playing the Montreal International Jazz Festival, a musical grand prix.

Players pair off and rejoin, chase each other and catch up at the Kennedy Center in Washington, D.C.

A visual tour of the Village Vanguard, New York City’s world-famous jazz club, capacity 123.

The Swedish jazz trio sculpts epic soundscapes on its first posthumous album, released four years after pianist Esbjörn Svensson’s death.

Bassist Matt Ulery, whose new album displays an affinity for strings, picks some of his favorite mergers of classical and folk music with the blues. Hear songs from Brad Mehldau, Chico Hamilton, Dave Douglas, Anne Mette Iversen and Wayne Shorter.

Once described by Time as “America’s best singer,” Wilson explores a lifelong relationship with the guitar on her new album, Another Country.

The jazz drummer tells NPR’s Guy Raz that great percussionists like Buddy Rich and Max Roach make their cymbals “sing.”

The JJA Jazz Awards, Ravi Coltrane, performers’ rights and sad news from WGBH.

In tribute to Dave McKenna, Marian McPartland asked pianist and singer Daryl Sherman to guest host this remembrance that includes clips from the two programs McKenna did with McPartland in 1979 and 1994. Sherman also puts a delightful twist on “Rhode Island is Famous for You” and “Teddy Ballgame.”

The guitarist has played in just about every conceivable setting in New York City — and carried a love of jazz throughout. For this live concert, his trio takes on Albert Ayler and John Coltrane, dirty blues, punk energy and fully liberated improvisation.

For the annual celebration of Juneteenth, today’s jazz luminaries — musicians such as Jason Moran, Christian McBride, Orrin Evans, Jeremy Pelt and Bobby Watson — reflect on recordings about the ongoing process of African-American emancipation.

It’s tricky making a little band sound this big, but trombonist Ray Anderson knows his tricks.

The top 20 records of the last 20 years, more money from music and the Latin Jazz Grammy returns.

A zooid is an organism that functions independently within a larger organism — a sensible metaphor for an improvising band which has operated under an original system of mutable, multi-directional grooves for a dozen years now. Hear the group’s new album.

To prepare for her new album, Girl Talk, McGarry researched what her singing idols — including Nina Simone, Sarah Vaughan and Anita O’Day — sounded like in conversation.

A veteran jazzman and his musical family put their horns together on their first collaborative release, Kelan Philip Cohran and The Hypnotic Brass Ensemble.

It’s easy to see why the drummer is so in demand among jazz’s international stars — just watching him manipulate polyrhythms will suffice. But he also writes music: His open, soaring quartet performs songs from an upcoming record live in concert.

The late pianist led a trio for many years in Southern California clubs and accompanied many great singers on movie sets and stages. Piano Jazz remembers Gerry Wiggins with this archived performance and conversation from 1992.

In the first generation of bebop musicians, Ray Brown was king of the jazz bass. He mentored a young player named Christian McBride, and today, McBride is jazz’s “go-to” bassist. While visiting Seattle’s KPLU, he performs with pianist Peter Martin.

Dee Dee Bridgewater, Dianne Reeves and Cassandra Wilson sing from the Abbey Lincoln songbook.

He’s a restless creative spirit who can’t keep still on stage, but now the jazz harmonica player has the recorded document to back up his reputation. Maret brings his quartet to WBGO to perform tunes from his self-titled debut album.

There have been a few groundbreaking harpists in jazz and improvised music, from Dorothy Ashby to Zeena Parkins. Now, Fresh Air‘s jazz critic says the Colombian phenomenon joins that list with Double Portion, his new album of solos and duets.

Ravi Coltrane and Neneh Cherry will release new albums 52 years after their dads recorded together.

A global pop star of the late ’80s and ’90s returns by collaborating with the Scandinavian free-jazz trio, which took its name from her stepfather. As you might expect, the results are wild, homemade and raw — and somehow, they make a lot of sense.

He took a snapshot of his long-running quartet mid-experiment. Then he thought he’d record a completely different band on a different set of tunes. The result is Ravi Coltrane’s sixth studio album, the latest progress report from the saxophonist.

Three concert presenters and three record labels explain how they’re trying to attract new fans.

Opinions abound regarding alternate employment, how to put butts in seats, and anime jazz.

When you’re a world-class jazz drummer like these two, your calendar fills up pretty quickly with world-class gigs. So NPR Music and WBGO are giving the drummers some — that is, some time to showcase their own tunes and own bands.

In Shearing’s second appearance on the program from 1987, host Marian McPartland reminisces with her fellow countryman about obscure British tunes, and the two have fun re-harmonizing “God Save the Queen.” Shearing also sings and plays Cole Porter’s “After You,” and the two end with a two-piano version of “Indiana.”

The trumpeter and the drummer each bring high-energy bands to the Detroit Jazz Festival.

The drummer is an awfully busy player — as likely to improvise with jazz musicians as she is to back Brandi Carlile — but in recent years, she’s carved out time to write music for her own group. A few tunes are dedicated to friends like her first teacher, a “sometimes great guy.”

Spalding treated the Morning Becomes Eclectic crew to a full-band in-studio performance during a recent visit to Santa Monica. Watch Spalding and company perform “Smile Like That” from Radio Music Society.

The talk-show host and former presidential candidate also plays bass in a rock group. But he says his tastes were more shaped by the big-band jazz his parents played.

Drummer Mike Reed’s quartet People, Places and Things was put together to spotlight music written in Chicago in a fertile period between 1954 and 1960. The group has since expanded its mission to include later works, which are included on a new album titled Clean on the Corner.

A 2,799 word article from 1983 details the “marginal” business of journalism with humor and despair.

Every Sunday at Seattle’s Cafe Racer, musicians gather for a session of experimental music. But after four people were killed last Wednesday at the coffeehouse and bar, this week’s jam session took place in a different venue — the alley out back — with a very different tone.

An annual jazz festival brings great musicians to the nation’s capital. But here are five great musicians who will keep the District swinging well after early June — folks like Brian Settles, Fred Foss and Reginald Cyntje.

Jerry Gonzalez, the late Pete Cosey, anecdotes of a trad-jazz band and your brain on the Internet.

Pianist and singer Barbara Carroll was host Marian McPartland’s second guest during the first season of Piano Jazz. Thirty years later, Carroll makes a return appearance to reminisce with her friend about their experiences at the Hickory House and the Oak Room. Carroll gives a charming performance of “Very Early” and McPartland improvises a musical portrait of her guest.

Veteran drummer Jack DeJohnette stops by the Jazz24 studios in Seattle, to perform a studio session with two longtime collaborators: pianist Chick Corea and bassist Stanley Clarke.

Gardot captures the sensibility that guides, shapes and defines so much Brazilian music.

The guitarist’s uptempo tunes swing and his ballads melt at the Kennedy Center.

The guitarist called his last album Hearts Wide Open, a mission statement of his search for the emotional core in modern jazz. Along the way, he wrote a few nifty tunes for a band of top New York players, including saxophonist Mark Turner.

A Toronto-based jazz trio whose approach to the genre has angered aficionados and grabbed the attention of young fans, BADBADNOTGOOD carries on jazz’s rich tradition of reinvention and provocation in “UWM.”

Henry Cole’s debut album is an Afrobeat party — which isn’t that far removed from his jazz style.

Masabumi Kikuchi’s fully improvised album Sunrise features late, like-minded drummer Paul Motian.

Ralph Peterson, Neneh Cherry, the Library of Congress archives and a generous Metallica bassist.

In New York, an Israeli guitarist found the beating heart of modern jazz. In San Juan, a jazz drummer found the African heart of Afro-Caribbean party music. Musical traditions unite on the dance floor during this performance in downtown Manhattan.

Italian import Daniela Schaechter is a brilliant young pianist and singer, taking the jazz scene by storm. Judging by her list of awards and the number of jazz luminaries she’s played with, one might think she’d been gigging professionally for dozens of years. Schaechter performs her own tune “Dark Blue,” and McPartland joins in for “It Could Happen to You.”

The saxophonist performs a piece by his contemporary — a practice much rarer than you might think.

Cuadrado sets surrealist Spanish poems to music in a concert at 92Y Tribeca.

Chilean rapper Ana Tijoux stops by to discuss her most recent album, her secret desire to make a jazz record and her musical theories.

Pianist and composer Kurt Ellenberger urges musicians to “make money doing something else.”

In Sonnymoon’s “Just Before Dawn,” Anna Wise’s ethereal vocals float across a palpitating soundscape. “Every night, you should have someone to hold,” Wise sings, “to tell you that you did okay when your mind is against you.”

Jason Crane of The Jazz Session interview podcast is touring the U.S. via Greyhound bus.

Whistling guitarist and harmonica master Toots Thielemans has played in everything from Charlie Parker’s band to commercials for Old Spice. In his childhood home of Brussels — really, throughout his homeland — the celebration of his 90th birthday is on.

Steve Lehman’s new album Dialect Fluorescent ends with a song called “Mr. E,” a composition written by jazz legend Jackie McLean. But the connections run deep between Lehman and the alto saxophonist he considers a personal hero.

He broke all the rules of jazz and improvised music — and that was in the 1950s. Now 83 and idolized by musicians, the great improviser is celebrated for developing a unique language at the keyboard.

The Vortex in London is a 100-person venue which recently hosted the Vijay Iyer Trio and the BBC. It’s been an engine of economic growth for its community and is embraced by musicians. It’s all the more remarkable considering no staff are paid.