Brackeen, the only female alumnus of Art Blakey’s Jazz Messengers, plays originals, standards and a few Ornette Coleman-inspired tunes with host Marian McPartland.
Sutton and host Michael Feinstein compare back-to-back versions of jazz standards “Fly Me to the Moon” and “Without a Song” in a session.
Host Marian McPartland talks to her longtime friend and idol on the first episode, recorded in 1978 with Williams and bassist Ronnie Boykins.
“The beauty was in the rawness,” says the violinist, who based her latest album around field recordings from the American South.
In January, the North American jazz drummer Harris Eisenstadt spent two weeks studying percussion in Matanzas and Havana. Here’s what he gained from the experience.
The young trumpeter may be the most buzzed-about, sought-after player of his generation. Does the broad vision of his new album live up to the outsized expectations?
The Baltimore native plays mean piano and drums, but he’s made his biggest mark as a bandleader with his mallets. The jazz vibraphonist visits his alma mater to lead his quintet in concert.
The Grammy Award-winning singer joins host Michael Feinstein to talk about his own musical evolution. McFerrin demonstrates his a cappella style and performs songs from Porgy and Bess.
Coltrane performs her own “Transfiguration” and joins host Marian McPartland in “Giant Steps.”
Eric Dolphy’s creativity was exploding early in 1964, and he was finding more players who could keep up. Out to Lunch is free and focused, dissonant and catchy, wide open and swinging all at once.