A jazz trio plays the score to Igor Stravinsky’s gloriously noisy, 101-year-old fever dream of a ballet as literally as possible — and still manages to sound like itself.
One of the most talked-about names in jazz, the 32-year-old trumpeter is more auteur than star. In an extended interview, he explains why it’s crucial to let his collaborators think for themselves.
Brackeen, the only female alumnus of Art Blakey’s Jazz Messengers, plays originals, standards and a few Ornette Coleman-inspired tunes with host Marian McPartland.
Sutton and host Michael Feinstein compare back-to-back versions of jazz standards “Fly Me to the Moon” and “Without a Song” in a session.
Host Marian McPartland talks to her longtime friend and idol on the first episode, recorded in 1978 with Williams and bassist Ronnie Boykins.
“The beauty was in the rawness,” says the violinist, who based her latest album around field recordings from the American South.
In January, the North American jazz drummer Harris Eisenstadt spent two weeks studying percussion in Matanzas and Havana. Here’s what he gained from the experience.
The young trumpeter may be the most buzzed-about, sought-after player of his generation. Does the broad vision of his new album live up to the outsized expectations?
The Baltimore native plays mean piano and drums, but he’s made his biggest mark as a bandleader with his mallets. The jazz vibraphonist visits his alma mater to lead his quintet in concert.
The Grammy Award-winning singer joins host Michael Feinstein to talk about his own musical evolution. McFerrin demonstrates his a cappella style and performs songs from Porgy and Bess.