Wilson is a bandleader dedicated to the infinite possibilities of jazz. Hear a 2006 session.
Assisted by members of the Jazz at Lincoln Center Orchestra and Vince Giordano’s Nighthawks, the trumpeter and bandleader offers a celebratory double helping of the early pioneers — and adds an “Auld Lang Syne” for good measure.
The late jazz multi-instrumentalist, a bluesy experimentalist, was known for his soulful, internationally flavored music. He died Monday at 93. For one struggling photographer, he was also close counsel for more than a decade.
The hot and historic band from New Orleans brings us a tuba-wielding Santa and some original holiday cheer and praise — what its members call a Cajun Christmas from the French Quarter. The goal here is simple: to bring you joy.
The Big Phat Band makes its Monterey Jazz Festival debut with “Rhapsody in Blue” and “Hunting Wabbits,” inspired by Carl Stalling’s 1940s scores for Warner Brothers cartoons. The music tumbles all over itself.
American Routes host Nick Spitzer calls in to chat with NPR’s David Greene about a few noteworthy Christmas contributions from some of jazz music’s most revered and beloved artists.
In a year where pop culture looked back at the 1960s, it makes sense that jazz critics lauded the 80-year-old Shorter, who made his first recording in 1959. His latest album displays him as enigmatic as ever — and as committed to finding new sounds.
We asked 136 jazz journalists to pick their favorite albums that came out this year. Out of over 700 nominees, here are their collective top 50 picks, along with top finishers in the Latin jazz, vocal, debut and reissue categories.
You could look at Michele Rosewoman’s New Yor-uba band as reuniting cousins who’ve drifted apart: jazz, and folkloric Cuban music with its own family ties to the slave coast of West Africa.
Cline expertly shifts from one genre to another, with an emphasis on melodic improv and minimalism. Hear the guitarist and composer perform songs from 2009’s Coward in this archived session from the same year.