The composer’s second album accompanies an animated work: the tale of a future metropolis where professional aims and neighborhood loyalty square off. It looks like both early-20th-century New York and a bordering-on-dystopian future. Perfect for a ultramodern big band like this one.
As NPR’s employees file their federal returns and take up shop in a new building, we look back at an interesting historical moment in the 1940s. A cabaret tax led to more jazz being performed in smaller venues that couldn’t accommodate dancing. Of course, that’s not the only reason why bebop sounds the way it does.