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  • Not one note of recorded sound exists to document Buddy Bolden's genre-defining music. Still, rock musician Dan Pritzker is making not one, but two movies about him. The nearly mythic "King of Jazz" influenced Louis Armstrong, a key character in both films.
  • Robert Darden, former gospel music editor for Billboard magazine — and now an assistant professor of English at Baylor University — chronicles the genre in his book People Get Ready! A New History of Black Gospel Music.
  • B.B. King's loved ones gathered at a Southern California home recently to celebrate his 80th birthday with a backyard concert featuring performances from some of his closest friends.
  • San Francisco's Fillmore District is known for its namesake rock venue, but once it was home to legendary jazz clubs. A new photo book preserves the record of a neighborhood that fell victim to "urban renewal."
  • As music director of Weekend Edition Sunday, NPR's Ned Wharton supervises music continuity for the show and keeps tabs on what's new and noteworthy in the music world. He looks at a pair of CDs designed to be appreciated with visual components.
  • Jazz critic Kevin Whitehead reviews A Power Stronger Than Itself: The AACM and the American Experimental Music by George E. Lewis. The book tracks the history of Association for the Advancement of Creative Musicians, an organization that promoted the development of new jazz styles.
  • Photographer William Claxton began making a name for himself in the 1950s, taking photos of some of the world's top jazz artists. Then got the opportunity of a lifetime — he was commissioned to document the American jazz scene at a moment when the genre was at its height.
  • The three brass artists featured in our Youngbloods series — trumpeters Giveton Gelin and Summer Camargo, along with trombonist Kalia Vandever — infuse new energy into today's jazz scene.
  • Every weekday through Hispanic Heritage Month, World Cafe dives into the music of a different country in Latin America.
  • The bleak pathos of Bill Withers' original is tempered in this arrangement, which José James bends into a funk jam.
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