Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

Search results for

  • You, a Pisces full of wisdom, have discovered a new song that lights up your soul. This week on 8 Tracks: Mild to wild obsessions with SZA, Bat for Lashes and Alice Coltrane.
  • The Mexican-American jazz pianist earned acclaim in New York and Los Angeles in the 1950s and '60s, but much of his music was never released — until now.
  • Since the Harlem Renaissance, African-American musicians have portrayed black history as extended musical works. Jazz is full of such long-form compositions. Hear five examples from composers such as Oliver Nelson, Wynton Marsalis and Duke Ellington.
  • Jazz fans will surely know some of the musicians who have called the City of Roses home: Charlie Rouse, Jim Pepper, Esperanza Spalding and more. But the annual Portland Jazz Festival, which opens Friday, turns the spotlight on a diverse community of talent in place right now.
  • Hear five tunes spanning the saxophonist's career, from '60s mysticism to modern spirituals.
  • The blend of flute and vibraphone or marimba brings a transparent, sparkling quality — light and listenable, but permitting depth and mystery. On new albums, Nicole Mitchell and Anna Webber harness this energy, which has a surprisingly rich history
  • This summer has seen plenty of worthwhile jazz, including a pianist who's been around since the '50s, a Caribbean jazzman, a band of deliberate melody, and a cover from The Jungle Book. Sample recordings from Harold Mabern, Etienne Charles, the band Black Host and Lauren Desberg.
  • Bremen may be best known for its love of soccer and Beck's beer. But in April, more than 20,000 jazz fans and industry professionals descend upon the German port city for a festival designed specifically to showcase new acts from across Europe.
  • For saxophonist Dayna Stephens, serenity has been a key to dealing with a rare kidney disease. It's filtered into his playing and composing, which is on the upswing despite health challenges that drain hours from his days and thousands of dollars a week from his limited budget.
  • The great composer and bandleader was distraught over the 1967 death of Billy Strayhorn, his songwriting and arranging partner of 28 years. But Ellington took Strayhorn's passing as an impetus, born of necessity, to increase his own productivity. Here are five examples.
29 of 69