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  • In 1957, photographer W. Eugene Smith moved into a lower Manhattan loft which served as a late-night hangout for jazz musicians. He proceeded to make approximately 4,000 hours of reel-to-reel tape recordings, and take nearly 40,000 photos, in and around his apartment.
  • Every weekday through Hispanic Heritage Month, World Cafe dives into the music of a different country in Latin America.
  • She's among the last living beboppers, one of the first singers on Blue Note and a pioneer of voice and bass. The legendary Sheila Jordan joins Christian McBride for a career-spanning conversation.
  • Lorraine Gordon is the keeper of New York's historic Village Vanguard. Recently, Gordon published a set of memoirs, the recollections of a woman who was married to two famous men of jazz.
  • A jazz legend's influence on the genre is detailed in Donald Maggin's book Dizzy: The Life and Times of John Birks Gillespie. Dizzy Gillespie's contributions to jazz included the flavor of Afro-Cuban rhythms and be-bop.
  • A new book, The Sinatra Treasures, celebrates the life of the legendary crooner with never-before-seen photographs, music and pull-out mementos from the Sinatra Family archives. NPR's Liane Hansen talks with Frank Sinatra, Jr. about his father.
  • Jazz pianist Cyrus Chestnut and Elvis Presley aren't a likely pairing: Chestnut is one of the top pianists of a generation born many years after songs like "Love Me Tender" made Presley the king of rock 'n' roll. Hear an interview and performance from Studio 4A.
  • Dameron was a composer and pianist who fused the sophisticated arrangements of the Big Band era with bebop's complex harmonies. A new biography shines a light on the too-brief life of the man known as "The Architect of Bop."
  • When Sidney Bechet played, the walls trembled, the pulse accelerated and the heart skipped a beat. His music was passion and energy transformed into musical notes.
  • Legendary jazz musician Charlie Parker died 50 years ago Saturday. Poet Joe Pacheco recalls one of Parker's last performances, when the saxophonist known as "Bird" played in Manhattan. The poem is from Pacheco's book The First of the Nuyoricans/Sailing to Sanibel.
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